Okay, we've created a Youtube channel called The 3Represents TV. This Youtube channel will basically feature some experimenting with video and other things. Our demos will still be put out on the Anomie Train Youtube channel first.
Friday, June 26, 2026
The 3Represents TV Youtube Channel
Saturday, January 27, 2024
vtuber is out now!
I though I would gather up all the links for out newest album, vtuber, in one spot! So here they are! I think if we knew how many titles already had "vtuber" in them, we would have named it something else, LOL.
Sunday, January 21, 2024
The 3Represents's Third Release - vtuber - Will Be Out Soon!
| The 3Represents vtuber album to be released soon! |
Lyrics
Sunday, October 30, 2022
Virtual Singer Jamboree! - New Album Released!
| Virtual Singer Jamboree! Album |
Now we have Virtual Singer Jamboree! released! Hooray! We seem to like to use exclamation points for our titles.
It's already out on Spotify (check out our Spotify tab for the embedded player) and is probably out on many other streaming sites already, too! We'll be putting it out on Bandcamp very soon.
It took us that long to get enough material that we felt would be worthy of release because honestly, we wrote a lot of crappola.
Here's the track list:
- Be Best
- Asian Parents Stories II
- Guan Guan
- Worst in You
- Dirt Spoon Girl
- I So Pale
- Forget About Me
- Number One Girl
- My Butt Hurts
- The Great Resignation
- Stay Alive
- Naptime in the Subway
- Kiara's Lonely Floating Vomit Pile
- White Baby Lover
- I'll Keep Mine
- Hey Stinky
Sunday, June 26, 2022
Our Entries in Eclipsed Sounds's SOLARIA Original Song Contest
We entered two songs for Eclipsed Sounds's SOLARIA Crowdfunding Anniversary Original Song Contest! Have you heard them? Check out the videos below.
Saturday, April 30, 2022
Mei You Ru Guo by Fish Leong (cover song) -- but We Messed Up the Mix!
Hey guys, how have you been? We covered a song by Fish Leong, "Mei You Ru Guo." You may remember it if you have watched the Taiwanese drama, "My Queen." If you've never seen it, you should watch it, it's good!
We recorded the parts in two days and mixed it and posted it. Which leads me to the subject of today's post: Never do that!
Why? As it turned out, the mix levels were off. What sounded good that day turned out to be not so good. Why does this happen? Well, the problem with recording/mixing for an entire day is, after a while, your ears suffer from ear fatigue. Don't consider the song "finished" at the end of a long recording/mixing session. Put it aside. Come back to it after a day, or even two days. You want to listen to the mix with fresh ears.
The problem with our mix was that the lead vocals was too loud. Also, some of the other parts like the acoustic guitar and keyboards were too soft. It's funny how the levels sounded good to me at the end of the day, but the very next day, I realized that the levels were not correct. It's a rule I should always follow--always check the mix again the next day before you consider the mix to be finished--but I keep breaking this rule because I'm so impatient!
But don't be like me! Take your time! Let the mix "rest" and come back to it the next day.
Here is the song with the incorrect mix levels.
Can you hear it? So let that be a lesson for me. I don't have really good ears--I'm not one of those people who can really hear things like legendary mixers Bob Clearmountain or Chris Lord-Alge. I need to be pretty slow and methodical and not rush things, but it's hard for me because I'm impatient and just want to get things over with!
Thursday, January 20, 2022
Gearing Up For FAWM 2022!
FAWM 2022 is just around the corner, folks! This is a good way to practice getting into the routine of regular songwriting. Megumi, Yasuko, and I will be throwing ourselves into the ring, for sure!
You'll need to write a song every two days, so you can't get bogged down trying to make it "perfect." I'm planning to just construct simple songs--verse/chorus/verse/chorus. Nothing too complicated, not too many chord changes.
I know Megumi doesn't want to always have to set up her guitar to record a backing track, so she's planning on writing many of the songs just using the built-in virtual instruments (such as the piano) in the DAW. In fact, she downloaded a whole mess of pre-constructed midi chord files so she can just drag and drop the chord in. Drawing in the notes for the chords isn't hard, but it gets tedious so this will sure make things go faster.
You can download these chord files at:
https://pythonrepo.com/repo/ldrolez-free-midi-chords-python-audio
We've already started practicing writing songs! Synthesizer V Solaria will be singing our demos for us! Check out our first "pre-FAWM" song:
Tuesday, December 28, 2021
I Think It's Time Everybody Hop on the Synthesizer V Train
Hey, folks! How is everybody doing? Did you have a good Christmas? With 2021 winding down, I think we can look ahead to 2022 and see what it holds in store for us regarding vocal synthesis.
In my last post, I posed the question: Is it time to ditch Vocaloid in favor Synthesizer V? Six months later, I can confidently answer that question with a resounding YES.
First, for someone starting from scratch, the cost is ZERO. Synthesizer V Studio Basic and all the lite voicebanks are free.
Second, moving up to Synthesizer V Studio Pro to take advantage of all the great features of the full version and buying the full version voicebanks is very reasonable in terms of cost. The editor is only 90 bucks. You also aren't forced to buy a bundle of voicebanks--you can just build your library with the ones you want.
Third--and this is a huge reason to throw your hat in with Synthesizer V--with the 1.5 update, through the magic of AI, the full version of the AI voicebanks can now sing in English, Japanese, and Mandarin Chinese without manually messing with the phonemes. That basically triples your voicebanks! (Note: this feature is only available with Studio Pro and the full versions of the AI voicebanks).
Of course, Eleanor Forte singing in Japanese or Chinese won't match up with a true native singer in those languages, but she is surprisingly good at it. Definitely more than good enough to use her as a backup singer in those cases. And the same is true for Koharu Rikka singing in English or Chinese and all the other voicebanks.
The case of Tsurumaki Maki AI (JPN) is interesting because I've read posts from people saying that her singing in English sounds exactly the same as Tsurumaki Maki AI English!
And if this isn't enough of a reason, in January, Solaria will be released. Solaria has a powerful voice. Have you heard her demos? She can really belt out a song. Think power singers like Linda Ronstadt or Kelly Clarkson. And, a male English voicebank is in the works.
There really isn't a reason NOT to move on to Synthesizer V. Although, honestly, there is a huge contingent in the vocal synthesis sphere that likes the older stuff--I'm talking about Vocaloid 2 or 3 voicebanks. I just think that's kind of weird. It's like using Windows 3.1 instead of Windows 10 (and soon, Windows 11). But hey, you like what you like, right?
Tuesday, June 22, 2021
Synthesizer V Studio Pro: Time To Ditch Vocaloid 5?
Ever since Synthesizer V came out, I've been keeping an eye on it. The Basic version of the Synthesizer V Studio software is free as are all the lite versions of the voicebanks. There's no reason not to try it out, right? Because they are not trial versions, they are free versions to use forever!
I was impressed by the ease of use. I think the interface is easier to use than the Vocaloid 5 editor or the Piapro Studio VST. The only thing that made me hesitate to buy Synthesizer V Studio Pro was the lack of English voicebanks. They have Eleanor Forte lite, and initially, I thought it wasn't really suitable for most genres, and I have since come around--I think she does very well in specific situations. You just have to pick the right song for her.
So for the longest time, I was sitting on the fence. Then AH-Soft announced the Tsurumaki Maki voicebank--in both Japanese and English! That was the game-changer for me. I went ahead and purchased Synthesizer V Studio Pro and then bought Tsurumaki Maki AI English and also the Koharu Rikka AI voicebank. It was a tough choice for me between Rikka and Saki because both sound really good. I felt I should have one full version Japanese voicebank. And you know what? That not only gives me the option of creating songs in Japanese but also in English because the Japanese voicebanks can sing in English pretty decently!
What I like about Synthesizer V is the ability to draw parameter curves with much more control. Vocaloid 5 has the Attack/Release effects--which are great, but sometimes you want to manually draw in a parameter curve, and although Vocaloid 5 kept the parameters feature, drawing in the curves is really clunky.
Synthesizer V, however, does it very smoothly, and in the case of Pitch, you can draw the curve right on the piano scroll over the notes. That is a huge advantage.
Synthesizer V does not have a note preview though. I hope they can add that in in the future. Because what that means is that I constantly have to click on the keyboard to check the note rather than just hearing the note as I draw it in.
Most of the voicebanks have two options--Standard and AI. I prefer the AI version. The Standard version sounds more like the traditional Vocaloid voicebank. The AI version is inching ever more closely to a real human voice. The AutoPitch feature available in the AI version is KILLER. Let me say that again. The AutoPitch feature available in the AI version is KILLER.
So should you buy Studio Pro and the full voicebanks? The free versions are all very usable. If you are a hobbyist, it's fine to use the free versions. In the context of a mix, you probably won't really notice it. Well, unless you make a direct comparison to the full, paid version. There is a difference. I can hear it easily. The full voicebanks are sampled at multiple pitches whereas the lite version is sampled at only one. This means the voices can get pretty thin and raspy when you go outside the range.
Listening to Tsurumaki Maki, she sounds a lot warmer than her lite version. There is a richness in the tone of her voice that is lacking in the lite version. Again, this is not to say that the lite version is bad--on the contrary, it's very, very good. But if you want your song to sound its best (and also do commercial stuff with it), you should buy the full versions of the voicebanks.
I still have all these Vocaloid voicebanks, so I'm still going to be using them, but...it doesn't make sense to me to invest in any more Vocaloid voicebanks. Unless Yamaha wakes up and makes Vocaloid 6 AI, that is. We'll see if that happens.
For now, the future is extremely bright for Synthesizer V.
Here is a cover of We Are the People (Martin Garrix) sung by Tsurumaki Maki AI English!
Friday, February 19, 2021
Adjusting Pitch in Piapro Studio vs Vocaloid 5 Editor
Hey, Everyone!
You know, adjusting and manipulating pitch is probably the single most important thing you can do when tuning Vocaloids in order to make them sound realistic.
The problem, though, is that doing it by hand (drawing pitch curves) is extremely tedious, not to mention, very inaccurate. It involves a lot of trial and error until you get it to sound the way you want it to.
This is why I love the Vocaloid 5 Editor. With Attack and Release effects, you can save a lot of time and cut out a lot of that trial and error. And, if you don't find an attack or release effect that is quite what you're looking for, you still have to old tools available to you to manually draw the pitch curve.
Unfortunately, Yamaha does not sell the Vocaloid 5 Editor by itself. You have to buy a package, either Standard or Premium. Buying a package saves you a whole lot of money in the long run because--in the case of the Standard package, you get four Vocaloids with it. But it's a pretty steep initial investment.
Whereas, if you buy a Crypton Future Vocaloid (like Miku V4 or Rin), they give you the Piapro Studio VST plugin. It's not as full-featured as Vocaloid 5, but you can still pretty much do everything you need to do with it.
Let's take a look at the Enka attack in Vocaloid 5. It's one of my favorites! Here is what the pitch curve looks like.
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| Enka attack in Vocaloid 5 |
Let's see if we can replicate it by drawing the pitch in Piapro Studio!
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| Replicated Enka attack in Piapro |
Not quite the same, but kind of similar! That's what you get when you're trying to draw a curve with a computer mouse!
Vocaloid 5 vs Piapro Studio
Friday, December 4, 2020
Megumi Introduced Us to a New Friend of Hers--Some 16 Year Old Girl With Blue Hair Named Miku
Megumi met this girl--a kid, really--I mean, she's only 16 years old. Her name is Hatsune Miku. She loves to sing, so Megumi invited her over to one of our band practices. She's a nice kid, has kind of a quirky voice, and she has very long blue hair tied up in pigtails. My first thought was, "What the...??"
Well, long story short, we wrote a song and Miku is singing it. What a crazy world, eh?
Thursday, October 29, 2020
I'm the Girl Who Crapped in Your Car (old song revisited)
Hi, All!
Hope everyone is doing well. Hang in there! Who knows how long this will last. Keep wearing your masks, keep your distance from people, and wash your hands! Just make it a habit, you know? Here in Asia, wearing masks is quite normal. Why do some countries freak out about it so much?
Anyway, Gumi wanted to sing an old Anomie Train song, but she had to re-write it to sing it. And no, Gumi never crapped in anybody's car! Gumi also added a bridge section to the song and worked in a diminished chord in there. We also did a fade-out, which is something we normally don't do. Remember when most songs faded out?
Monday, May 4, 2020
New Song - I've Seen the Worst in You (Gumi)
Anyway, me and Yasuko are hunkered down while Megumi is busy writing in her home. I mean, she's been really busy. We've been passing files back and forth over the Internet since we can't be together in one space.
We've just wrapped up Megumi's latest song, I've Seen the Worst in You. She wanted kind of a shoegazy sound to it, so we added a bunch of reverb and delays, and Megumi added a really heavy guitar on the track. Megumi also had her friends Ken and Kaori sing a bit of background vocals on it along with Yasuko.
I've Seen the Worst in You
I've been rejected for a long time
social distance is a daily practice of mine
If you want, I can drive your guests away
I do it every day
All I have to do is show up
then watch the roaches leave everything in the dust
Over there is a fat kid getting bullied
I don't care 'cause that fat boy stole my lunch money
It never pays to try and do a good deed
This is advice you should heed
I stop caring so long ago
I just do my best and try to keep the status quo
I've seen the worst in you
You can't hide what will always come through
You like to claim it will be great again
Fat chance! We've reached the end
Who the hell is hoarding all the toilet paper?
Pretty sad that it's coming down to neighbor vs. neighbor
I'm not surprised--but know this
I won't lose to a piece of shit
I stop caring so long ago
I just do my best and try to keep the status quo
I've seen the worst in you
You can't hide what will always come through
You like to claim it will be great again
Fat chance! We've reached the end (x3)
I've seen the worst
It's not getting any better
I've seen the worst
It's not-
It's not-
It's not getting better
Wednesday, June 19, 2019
Vincent Chin
Vincent Chin was beaten with a baseball bat on June 19, 1982, by two unemployed autoworkers in Detroit, resentful of Japan's inroads into the American automobile industry, who apparently mistook him for being Japanese. He died four days later.
Tuesday, February 26, 2019
New Demo - My Cat Hates My Guts
We're using a PRS Santana SE and a Squier Affinity Telecaster on it going into a Caline Pure Sky pedal and then into the computer (Presonus Studio One).
The amp sim VST we are using is bx_bassdude.
For drums, we are migrating from audio drum loops to using Session Drummer (which we have from the days I used to run Cakewalk Sonar). Session Drummer is a VST so we can use it in any program that uses VSTs. The loaded kit a the Led Zep kit, and the drum patterns are from Groove Monkey (Rock Essentials). It's a lot more flexible this way since we can adjust the individual hits, and we think the Led Zep kit sounds pretty good!
My Cat Hates My Guts The 3Represents Verse1 D A My cat, she hates my guts When I sleep she bites my butt She pissed my clothes and made them stink Then took a dump in the kitchen sink Chorus G A D But I'll always love my cat She's really good at killing rats The rules of home are understood I give her food and it's all good Bridge Em G A D A D People always tell me to get a dog and I always tell them to get a cat F# Em B#m GM7 I'm sorry, I don't trust animals who eat their own poop Solo D A D A D A D A G A D G A D G A D G A D Verse 2 My cat, she hates my guts When she found me, I was down on my luck I know she always has my back I can show you where her claws left tracks Chorus G A D But I'll always love my cat She's really good at killing rats The rules of home are understood I give her food and it's all good
Wednesday, December 12, 2018
Universal Healthcare Now! - The New Album by The 3Represents
It consists of 12 songs that Megumi has written over the years. There are demos for several of the songs out there, scattered about on YouTube, Soundcloud, or whatever. Originally, it was supposed to be out in the Spring, but then it got pushed back to August, and then it got pushed back again until finally we got it done and it should be out soon!
Part of the problem is that we (meaning me) are lazy, and part of the problem is that Megumi kept wanting to redo parts. And I kept wanting to redo the mixing. But it's done. IT'S DONE!!!
![]() |
| The cover of the new CD |
Megumi told me that she thought everybody should have universal healthcare, so if we named our CD Universal Healthcare, then everybody should have our CD!
Well, okay...
Anyway, it will probably take some time for the CD to make its way on CD Baby and especially all the distribution channels like iTunes and Spotify, so keep an eye out for it!
We'll put out a video on YouTube of the single, You Say, soon. Although, it's kind of stupid to say that it's the single--it doesn't mean anything. It's not like it's a separate thing going out to radio stations. But I like to say that because it reminds me of the old days. You Say features Anne McCue on guitar!
Here's the Track List:
01 At the Zoo
02 You Say
03 My Pasmo Card
04 Mochi Mochi
05 Trade My Life
06 Disneyland
07 Making Takonashiyaki with Toyosaki Aki
08 Time's Up!
09 From My Bed
10 Makeinu
11 Stop Walking Over Me
12 You Gotta Try Harder
Update: the album is now available on Bandcamp and CD Baby!
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*All songs feature the Vocaloids Megpoid English and Avanna
Wednesday, October 3, 2018
Our Friends Amy and Chris Join Us for a Song
Hey everybody! I hope you all made it through Typhoon Trami okay. It sure seems like we're getting a lot of typhoons here recently!
Our good friends Amy and Chris from America are visiting us, and they got caught up in the typhoon and hunkered down with me, Yasuko and Megumi. Since we were stuck inside, Megumi thought it was a good idea to jam (as long as the power held out, hehe).
Megumi had been working on a song that she felt wasn't really suited for her voice, so she asked Amy if she would sing on it. Chris chipped in on the harmony part.
Megumi is playing a Fender Stratocaster going into a Caline Pure Sky pedal. That goes into the DAW (Presonus Studio One) and the bx_bassdude amp sim through a Presonus Audiobox USB96 interface. Yasuko is playing a Yamaha RBX260 bass that goes into the bx_bassdude amp sim as well.
Megumi wrote the music, but the lyrics are from a Christina Rossetti poem, Song (When I am Dead, My Dearest). Megumi started getting into the works of Christina Rossetti when she took a class on 19th century English Literature and learned about the Pre-Rafaelites.
Sunday, August 19, 2018
Using Megpoid English (Vocaloid 3) in the Vocaloid 5 Editor
The Vocaloid 5 editor has a bunch of new, very useful features, such as Attack/Release parameters as well as built-in styles for the Vocaloid 5 voicebanks (which are really good. In the future, you'll hear our friends Amy, Chris, Kaori, and Ken singing with us!).
Listen to Gumi singing this Jonathan Coulton song, My Monkey, in the Vocaloid 3 Editor.
Now, listen to Gumi singing this in the Vocaloid 5 Editor.
In the remix, which I think sounds better overall, I got to use some new plugins. I'm using Waves Vocal Rider on Gumi's vocals to help smooth it out better, and I'm using my new bx_bassdude plugin on the guitars and bass. This is a huge improvement over the AmpireXT amp sim that comes with Presonus Studio One. If you don't have any need for metal type amp sims and only want that Fender sound, bx_bassdude is the plugin to get!
Thursday, February 15, 2018
Time's Up! -- Our Losing Entry in the Hatsune Miku Expo 2018 Song Contest
The song was inspired by watching a bunch of YouTube videos of Japanese rock bands in the 1950s and 1960s. Very groovy, man!
We were also greatly inspired by a fantastically snarling performance by Cliff Richard and the Shadows of Move It! on TV.
Time's Up!
Verse
I got a call saying you wanna meet me in your room, yeah
I'm here just to work so you better not assume, yeah
I'm not the bride and you sure as hell ain't the groom, yeah
You're crazy if you think I wanna watch you take a shower
You've mistaken me for some kind of delicate flower
Time's up old man, you ain't gonna make me cower
Chorus
We've been keeping silent now for too many years
Exploited and preyed upon and shackled by our fears
here comes the tidal wave baby
it can't be stopped now
Time's up on all of you
Which side will you choose?
Verse
On a movie set or in the halls of Congress
We're not gonna put up with any more nonsense
this needs to be more than just a work in progress
Repeat Chorus
Verse
We're not gonna let this quietly fade away, yeah
We've got way too much at stake, yeah
Time's up we've gotta make a change yeah
Outro
Better move on over, baby, time's up
Did you hear me?
Time's up
Time's up
What did I say?
Time's up
Time's up
Thursday, December 14, 2017
Vocaloid Song: My Pasmo Card
Hey everyone, here's a new song to cap off 2017! It was done an example for the 2017 Losertown Japan Grab Bag Giveaway! You know, there still is time to whip up an original Vocaloid song and enter!
This is the first song we did using our new Presonus Audiobox USB 96 interface. Before we were messing around with a cheap XLR to USB cable. The cable is okay if that's all you have, but the sound using an actual USB audio interface is so much better!
Now that we have a proper interface, Megumi wants us to do an actual album! I'm kind of nervous about that, but Yasuko and I agree--we should do it! So that will be our project for 2018! In the meantime, I'm trying to learn as much as possible about mixing.
Here's wishing everyone a wonderful, fantastic holiday season!
--Satoshi, Megumi, Yasuko


